Homelander believes he is the world’s greatest power, but The Boys don’t agree, and they exploit his passing to disparage and shame him.

Homelander is portrayed as the story’ main antagonist throughout The Boys, yet his untimely passing completely reverses this idea by stripping him of his honor and significance. Homelander, a vicious bully who eventually tries to organize a coup against the United States and murder the president and several others in a clumsy attempt to seize power, is a strong parody of Superman from Washington, DC.

Ultimately, Homelander is eliminated by Black Noir, who turns out to be a clone of the formidable Supe, sent to murder him should he ever choose to turn against the Vought-America firm. The largest superhuman danger in the series turns out to be Black Noir, and Homelander’s off-panel death serves as both an exciting plot shock and a wonderful counterpoint to the way the character has been portrayed throughout.

“Homelander accuses Black Noir of ruining his life, admitting at the end that he’s not actually in control.”

Homelander Learns The Secret Role of Black Noir

Black Noir comes forward in The Boys #65 to ensure that Homelander is told the truth. Not only has his “friend” always desired his death, but Black Noir even assumed the identity of a Homelander with the intention of framing him for heinous crimes and pressuring Vought to demand that he be executed. The reason Homelander committed his own atrocities was because he thought he had previously committed such horrible acts, which is why Butcher gave him the ultimate discredit by saying, “It means you turned into a ****** psychopath by mistake.”

For most of The Boys, Homelander is held up as an unkillable terror – someone who can’t be brought down by normal means, and who plunges the country into chaos on a whim. It’s exactly how he presents himself, and yet ultimately it’s the lie of someone who has the maturity of a teenager.

“It’s a brilliant ending for Homelander, taking a character who desired to be seen as a supreme evil and killing him off-panel in a fight against an even bigger threat.”

Homelander is Killed By Black Noir, Off-Panel

Homelander begins the issue sitting in the Oval Office, feeling unbeatable, and ends with a profanity-laden tantrum, squaring off against an enemy who brutally destroys him. It’s a brilliant ending for Homelander, taking a character who desired to be seen as a supreme evil and killing him off-panel in a fight against an even bigger threat. And even better, doing it moments after definitively proving Homelander never understood what was actually going on behind the scenes.

Homelander’s coup is deeply unsuccessful, lasting less than a day and ending with him murdered by Vought’s secret weapon and his superhero ‘army’ mowed down by the military. What’s more, Homelander is finally forced to confront the horror of his actions. While he’d convinced himself that he was a psychopath and played the role, Black Noir’s reveal exposes his weakness and malleability. Homelander accuses Black Noir of ruining his life, admitting at the end that he’s not actually in control.

“In contrast to Homelander, each of the Boys gets a momentous, tear-jerking death to underscore their humanity and importance…”

Homelander’s Death Contrasts Those of The Boys

By the end of The Boys, only Hughie is left alive, and yet Homelander can’t claim any credit. In fact, following Homelander and Black Noir’s defeat, it’s Butcher who kills his team, believing they’d prevent him from carrying out his grand plan to slaughter everyone with Compound V in their system. The team’s deaths are tear-jerking – Frenchie and the Female acknowledge their deep platonic love, Mother’s Milk and Butcher have a bitter fight to the death, and Butcher ultimately goads Hughie into killing him so that he won’t have to live the rest of his life in prison.

While the series’ storytelling isn’t perfect when it comes to the Boys – Mother’s Milk’s family life is left on an unsatisfying note of tragedy – each of their deaths is a momentous, epic sign-off underscoring their personalities and connections to others. In this light, Homelander’s death is even more perfect, as The Boys contrasts his off-screen demise with the emotional ends of its heroes.

“Often in pop culture, even the most repulsive villains are given iconic deaths that validate their importance. The Boys doesn’t give Homelander that kind of ending…”

Homelander’s TV Show Death Shouldn’t Be Epic, Either

In spite of the Amazon series and its deviations from the comics (such as the twist with Black Noir), The Boys needs to give Homelander a similarly uneventful death as well. Having gained massive amounts of fame and popularity even as his true colors have begun to show, the version played by Antony Starr feels just as invincible by the end of The Boys season 3, thinking he can do no wrong. As such, the show could and should give Homelander an equally uninspiring demise, cutting right at the heart of his psychopathic self-importance. With so many feeding into his lies and narrative, giving him an anti-climatic death is the perfect way to defeat not just Homelander, but also his problematic followers.

Ultimately, Homelander isn’t even in the top three of The Boys‘ villains, ranking below Black Noir, Vought executive James Stillwell, and Billy Butcher himself. While he sets himself up as a terrifying threat, his death in The Boys pulls the rug from under his and readers’ feet by showing he’s anything but. Often in pop culture, even the most repulsive villains are given cool or iconic deaths that only serve to validate their importance. The Boys doesn’t give Homelander that kind of ending, revealing he’s been playing someone else’s game all along, and killing him off in a fight that only serves to establish his killer as a far more disturbing and significant villain.